#Davinci resolve 15 chroma key how to#
#Davinci resolve 15 chroma key software#

RCM transforms happen before the fusion page, so it would come into fusion as whatever you have your timeline colorspace set to.Update April 2020: We’ve created a guide on how to use OBS as a virtual webcam, learn how to here. You can do that in fusion, and use cineon nodes to convert non-log footage (like a background for the greenscreen) to log.Īnother way is to use Resolve Color Management to do a non-destructive floating point transform to your working color space from whatever the source footage is. The VFX artist works under a viewing LUT to get an idea of the final color, but disables it before output – so the colorist ends up with the comped scene in log). One way is to keep everything Log, then grade the scene in the color page (this is how VFX are done in a lot of workflows. Maybe the ability to add color nodes right in fusion? remember this is very early into the integration/beta process – so I don’t think we’ve seen the final form of how color management and color correction inside fusion is going to end up) There’s a few ways to handle this (although I would love to see some deeper integration between the color page and fusion. I then render my color matched clips, as well as a black/white luma matte of the keyed foreground for finishing in After Effects (the alpha export in the deliver page is still wonky as-of Resolve 14 but converting luma to alpha in AE is easy enough).ĮDIT: just tested out the alpha export in Resolve 15 for usage in Adobe software…works! Hallelujah! My current workflow for green screen work is using the Primatte OFX plug-in within Resolve, because I can key and render source RED clips MUCH faster in Resolve than anywhere else. I don’t think I’ll ever be as comfortable in a node compositer as I am in After Effects, but I’m eager to see if Fusion provides creative advantages beyond speed/less round-trips. I’m also still not convinced Fusion has the matte finessing / light wrap / mograph tools I’ve come to rely on in After Effects…but I haven’t kicked the tires sufficiently to say that with much confidence. I see some basic CC controls in Fusion but would prefer to do so in the color page…I suppose the workaround is to color grade the individual clips, render them out, and bring them back into Fusion the “traditional” way…then apply the delta matte created with the un-color corrected clip to this new graded clip.

(Green screen shot courtesy of Abba Shapiro After you start exploring Fusion, share your thoughts in the comments section, and happy compositing!įor a finished composite I’d definitely want to color match the foreground and background elements independently. Once we’ve gone over those fundamentals – you learn how to use Fusion to complete a real-world green screen comp. Using the finished Fusion comp in the edit and color pages.Adding nodes (or, as they are called in Fusion, “Tools”).How monitoring works in Fusion (which is different then the rest of Resolve).This insight is an introduction to Fusion and how it fits into Resolve, so you will understand how to get in and out of the Fusion tab, and how the UI works compared to what you are already used to in Resolve. In my second Resolve 15 insight, I want to give colorists who haven’t dived into Fusion yet a good foundation to start really exploring it.

#Davinci resolve 15 chroma key software#

Fusion 101 Even though Fusion is node-based, it’s GUI and functionality may seem a bit foreign to colorists who haven’t used Fusion or similar software

While it is node-based, just like the Resolve color page, a lot of other aspects of Fusion don’t work the same way colorists are used to.

If you have never used a node-based compositing application, Fusion may seem a bit strange or foreign to you. Traditionally, color tools have been dedicated to a single task: color grading. I worked for years on Avid|DS – so the concept of jumping between an editing, color grading, and node-based compositing with graphics and paint – all in one app, just feels like home to me.īut I know for a lot of colorists – Fusion may have come as a bit of a surprise. When Blackmagic announced they were fully integrating Fusion into Resolve, I was overjoyed. Tutorials / An Introduction to Fusion in DaVinci Resolve 15 A Colorists Guide to the Fusion Node Tree & Workflow